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	<title>Ric Carvalho</title>
	<link>http://riccarvalho.com/blog</link>
	<description>Art, New Media, Urban Communication, Embodiment</description>
	<lastBuildDate>Sun, 01 Aug 2010 14:39:34 +0000</lastBuildDate>
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		<title>Grey Area &#8211; Centre for Creative Collaboration</title>
		<description><![CDATA[
Sarah Abu Bakr, Ric Carvalho and James Irwin, in partnership with the Centre for Creative Collaboration, London, invite you to Grey Area, an exhibition which re-thinks and re-mediates contemporary art practices in relation to new technologies. Jack Burnham (1970) predicted that our relationship with art in the Information Age would evolve from a ‘one-way’ process [...]]]></description>
		<link>http://riccarvalho.com/blog/?p=938</link>
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		<title>Liam Gillick&#8217;s presentation at the Creative Time Summit: Revolutions in Public Practice, Oct 24, 2009</title>
		<description><![CDATA[
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		<link>http://riccarvalho.com/blog/?p=929</link>
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		<title>Marcel Duchamp clip from The Shock of the New (1982) The Mechanical Paradise</title>
		<description><![CDATA[
Here we can see Duchamp&#8217;s shift from linear thinking (Nude Descending Staircase) to something more circular (Bride Stripped Bare..), something he would later call &#8220;delay&#8221;, as Jerrold Segal notes, &#8220;suspended in a space it never traverses.&#8221;
The clip of course seems to reffer more to these movements in relation to asthetics, psychological and (male) sexual frustration. [...]]]></description>
		<link>http://riccarvalho.com/blog/?p=921</link>
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	<item>
		<title>3#</title>
		<description><![CDATA[
3#&#8221; uses a track &#8220;composed&#8221; by media artist Seth Price, its music based on the forms of 1980s electronic pop songs. Price uses music production software to copy the structure of popular music from the recent past. By editing out one element (in this case, the singer), he comments on the genre through an imperfect [...]]]></description>
		<link>http://riccarvalho.com/blog/?p=917</link>
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		<title>Jorge Pardo: Project &#8211; Design Process as outcome</title>
		<description><![CDATA[
Jorge Pardo. Project, 2000. Volkswagen Full Scale Model, 1995.
Photo: Cathy Carver.
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		<link>http://riccarvalho.com/blog/?p=912</link>
			</item>
	<item>
		<title>I</title>
		<description><![CDATA[standing for I, Identity and Index
The mapping of emergent subject surfaces.
Map of rhizomes. 
My existence is irreconcileable with itself. Nothing in me is singular. I am﻿ many. &#8220;Man&#8217;s soul is entities (plural)&#8221; -Aristotle.
Does thought confer identity? Does interaction with the other confer identity? Perhaps the answer to these question depends on what &#8220;thought&#8221; and &#8220;interaction&#8221; [...]]]></description>
		<link>http://riccarvalho.com/blog/?p=910</link>
			</item>
	<item>
		<title>Re-distribution of the Sensible</title>
		<description><![CDATA[The following bit of text is from Re-distribution of the Sensible catalogue, text by Warren Neidich:
“The logics of perception and experience are no longer materialistically defined only by contours of geometric and linear time and space arranged hierarchically in a rigid lattice but rather follow curved, non-linear Rheimannian paradigms that are expressed in complicated, non-hierarchical, [...]]]></description>
		<link>http://riccarvalho.com/blog/?p=908</link>
			</item>
	<item>
		<title>Human figure in public art</title>
		<description><![CDATA[The human cannot be seen anymore through the figure of the body in its tradition sense. In order to engage with the human body is a question of ignoring, forgetting it, and replacing it with what ever we have leanrt it not to be. From here let the unexpected forms which we originally thought to [...]]]></description>
		<link>http://riccarvalho.com/blog/?p=906</link>
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	<item>
		<title>Research Diagram</title>
		<description><![CDATA[Stated using gliffy to create diagrams for organizing thoughts and the content for my current writtings. Here is a link to research diagram
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		<link>http://riccarvalho.com/blog/?p=890</link>
			</item>
	<item>
		<title>A Self Burial by the Sea</title>
		<description><![CDATA[
The Glue Society  has unveiled its latest installation at the Sculpture by the Sea festival in Aarhus in Denmark. The piece, entitled &#8220;It wasn&#8217;t meant to end like this&#8221;, is a huge mechanical digger that seems to have buried itself under 300 tonnes of rubble&#8230;
As the Glue Society&#8217;s James Dive says, &#8220;[the work] has [...]]]></description>
		<link>http://riccarvalho.com/blog/?p=877</link>
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